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Disney’s Pixar division has faltered in recent years but there are high hopes for Inside Out 2 in July. Warner Bros appears to have a robust line-up for the year ahead and will be launching Denis Villeneuve’s Dune: Part Two in March and Godzilla x Kong: The New Empire in April – both from Legendary – as well as likely Cannes out of competition selection Furiosa: A Mad Max Saga in May, Beetlejuice 2 with Michael Keaton in September, and October release Joker: Folie à Deux, Todd Phillips’ follow-up to his $1bn 2019 hit with Joaquin Phoenix reprising his Oscar-winning role alongside Lady Gaga as Harley Quinn.ĭisney has endured a torrid year at the box office and will hope to revive superhero interest with just one Marvel Studios tentpole in the form of Ryan Reynolds starrer Deadpool 3 in July. The year will get off to a slower start without an Avatar spilling into January, however there could well be plenty of life in December 2023 holdovers like Warner Bros’ The Color Purple and DC’s Aquaman And The Lost Kingdom, as well as Universal/Illumination’s Migration. And AMC impressed when it self-distributed Taylor Swift and Beyoncé concert films, so will anyone step up and do something with U2’s sell-out shows at The Sphere in Las Vegas? Look out for these studio tentpoles Successful runs for titles not produced in the US or UK such as Toho’s Godzilla Minus One and Studio Ghibli’s The Boy And The Heron are inspiring case studies. It will be a good time for inventive and left-field distribution.

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There will be plenty to entertain and even though box office in 2024 is expected to drop off from the $9bn mark set in 2023, there will always be breakouts (and, yes, flops), plus there is the promise of 2025, which is shaping up to be a monster year. Unable to complete production, start production or have stars promote their slate during the now-ended SAG-AFTRA strike, studios punted some of their 2023 releases into 2024 and pushed others further back into the leap year. Urgently needed: Inventive distribution models Both exhibition giants are trying to turn the ship around and head into better times, while concerns remain over the viability of some smaller chains and sole operators. Cineworld, owner of Regal Cinemas in the US and Picturehouse in the UK, is in administration. Embattled AMC continues to sound a defiant note and just raised $350m in equity through the sale of approximately 48m shares, which lowered its debt load by $62m. That spells more gloom for exhibition, which has had a tough time of it since the pandemic forced so many cinemas around the world to close down for long periods. The US writers’ and actors’ strikes are over but one of the consequences of almost six months of production stoppages is a reduced supply for 2024 box office. ‘Dune: Part Two’, Bob Iger, David Zaslav US exhibitors face challenging year

Source: Warner Bros Discovery / Thomas Hawk (licensed under CC BY-NC 2.0)